Where it began.
HRM used to have their Clubrooms at Moor Road Mills, Millmoor Road, Meltham, on the first floor. It was here that one of the first large scenic layouts for the group was planned and track laying was well under way in 1991
Milnsbridge Clubrooms.
Longroyd Bridge
This new layout was very much built with the best of every modelling discipline that the ‘O’ Gauge members had at their disposal. The groundwork had arisen at Meltham, where the decisions were taken on how the layout was going to function. The main drivers at that time were Jim Noble, David Beaumont, Roger Womersley, Barry Wohlman, Eric Mellor and Adrian Bottomley. Anton Clarke produced the fine layout boards,supports and trestles.
The main feature was a terminal station at Longroyd Bridge set during the 40s, 50s and 60s, with the odd incursion of later blue diesels. Fully scenic with a well populated local village, shops, a busy Goods Yard backing onto a mill and local hostelry along with functioning detailed signalling. The trackwork was mainly Peco, fully ballasted and weathered in accordance with the times. The main control console with wired hand controllers was situated beyond the buffer stops and shopping area giving a view down the length of the layout.
The main line left from the right hand platforms passing under a Jim Noble modelled replica of the actual iron viaduct crossing the real Longroyd Bridge, through a cutting and tunnel to arrive at a hidden fiddle yard behind the branch line. It was this supposed line that notionally headed towards Manchester and lengthy trains could depart from Longroyd Bridge and new trains arrive with different locos and stock from the fiddle yard. (In later days Mick Durkin engineered a loco turntable for the head of that fiddle yard).
The branch line left Longroyd Bridge for Birchencliffe, a two road local station with loco run-round for return journeys This branch left Longroyd Bridge from the left hand platforms. Birchencliffe was improved firstly by some fine station buildings by Ian Allcroft, an avoiding line and fiddle yard by Mick Durkin and Phil Spencer along with painted backdrops by Graham Beckwith. Trains were controlled here by a separate control console and hand controllers beyond the buffers facing toward Longroyd Bridge. The layout being around 30 feet in length.
(Quite a few of the splendid buildings from Longroyd Bridge were re-installed during the building of Moorbrook Junction.)
Later notes.
Our major layout, Longroyd Bridge was rained on too. (and again last Thursday) Needless to say we obtained a shipment of plastic sheets. We do not know the full extent of the damage as it leaked onto the control panel. We may as well be in a rain forest!
At the afore mentioned meeting, it was agreed to complete the Birchencliffe avoiding line. This has been completed. It means that a train can travel from Longroyd Bridge and appear to travel further than Birchencliffe. The train will be able to reappear with a change of engine as if it was from Leeds (or the fictitious station of Lindley).
Lydgate
It has always been the ambition of the O Gauge group of Huddersfield Railway Modellers to build and operate a full circuit layout, giving us the opportunity to sit down from time to time and ‘watch the trains go by’ for a while. I’m sure that many who follow the 7mm path are well aware of the space required to set up an oval test track, let alone a layout that has the appropriate fiddle yards and scenery to give an entertaining line-side experience for visitors to open days and shows. I’m sure for many groups a lack of space forces plans to be changed during a layout build. We were no different and the resulting compromise layout that became ‘Lydgate’ has proved to be very gratifying to operate and challenging enough to gain satisfaction from successfully running trains end to end. The inclusion of five-road turntables at each end means that trains of up to a loco and three coaches can be operated in either direction through the layout without all the uncoupling and re-forming of trains that sometimes blights this type of running.
Concept
Lydgate was originally built by the Huddersfield Railway Modellers to accommodate the station of Birchencliffe from our much larger existing layout of Longroyd Bridge but early on in the process it was decided to leave Birchencliffe where it was and to build a new station, thereby giving us two layouts, one very large and one far easier to transport. The station and level crossing were built by one of our original members, James Noble, who sadly passed away before the layout was finished so it was decided to call the station Lydgate as a tribute to him, as he lived in an area by that name in the village of New Mill, near Huddersfield.
Lydgate itself is a fictitious rural village set not in Yorkshire, but on the edge of Gloucestershire on a single line. Originally built by the Great Western Railway the station has now passed into the ownership of British Railways. Consequently, engines of the GWR, LMS even the occasional interloper from the Southern and latterly BR can all be seen at Lydgate.
Lydgate is served by a stopping passenger service on the “Main Line” and a terminating service into the bay platform. The small yard has seen some decline in usage but still attracts goods trains carrying coal, livestock and other loads.
The period of operation is generally the 1950s and 1960s but, having survived Dr Beeching’s axe, the layout also sees occasional running into the BR blue period of the mid 1970s.
Baseboards
The baseboards are conventional plywood frames measuring 24” x 72” with an extended angle on the last piece making the final width of the station yard board 36 inches. There are two boards either end which house the turntables. There is a special deep scenic board to house the viaduct which carries a single line over the valley that carries the active canal and what used to be a river bed, but is now marshland. Club member Anton Clarke was the creator of the viaduct, arguably the scenic highlight of Lydgate, as well as being the builder of the original boards. The bases are covered with hardboard over the frames and latterly are connected by steel pegs into steel receptacles to add precision and strength for easier dismantling and re-assembly by means of custom-built aluminium finger wheel nuts and bolts. There are pairs of fold down adjustable legs on each board with the station board having four legs for initial re-build. All legs have a strengthening strut to the side of their respective board once levelling is complete.
The original turntables were cut from MDF and tested Phil Spencer’s and my skills with string, pencil and jig-saw. The results and the performance of the brass stud contacts in the rotating part were hit and miss to say the least. Starting with a circular circle would have been easier, but for a while we persevered! It was hopeless really, and once the MDF started changing shape we gave in. Enter Mick Durkin. Mick is a real engineer and took control of the turntables to engineer perfect circles in perfect pits in high quality 18mm deep plywood pivoting on ball-bearings and rolling on some infinitely adjustable rollers. The live contacts were spring loaded plungers in the outside walls of the pit with terminals sunk around the turntable perimeter to transmit power to all five roads on the table in rotation. Not only that but he designed and built the ‘other end’ too. There are soft foam rubber buffer restraints attached across the tracks at each end which are lowered when either end is at the outside edge of the layout to prevent any disasters on over-run. Rotation is by hand but generally light work, even with all five roads full.
Track Electrics and Control
The layout is controlled from a stand-mounted control box, which has a track mimic on the lid. The majority of the running controls and indicators are placed on the mimic at the position of their associated line-side equipment.
The track is conventionally sectioned by means of 2-way toggle switches, one per section, which have a centre-off position for isolation. The two active ways route the corresponding section of track to one of the two hand controller sockets on the control box.
The points are all operated by Cobalt point motors driven by Rob Paisley 556 Timer Stall-Motor Switch Machine Drivers. The drivers are triggered by momentary action push switches located on the track mimic adjacent to their associated junction. The point motors also operate LED position indicators on the mimic diagram and direct track power to the correct running road by means of their auxiliary contacts. The level crossing motor, signal lighting and building lighting switches are also located on the control box lid.
A late addition was a rotary switch which intercepts the wiring from the hand controller sockets, diverting and commoning the wiring to a separate socket where a DCC controller can be connected. This allows the layout to host both conventional and DCC locomotives, though not simultaneously.
The wiring inside the control box is implemented with industrial numbered-core cabling, cross connected through barrier strips. Several 32-core cables exit the bottom of the box and route on to the individual base boards and to the power supply. These cables can be disconnected adjacent to the control box as they pass through industrial multi-pole connectors.
The power supply occupies a robust and substantial aluminium box, providing 2 x 12V DC at 2 Amps, 1 x 5V DC at 2 Amps, 2 x 16V AC at 2 Amps and 1 x 3V DC at 1 Amp.
Scenery and Buildings
The country end of the layout is given over to pasture for the local farms and is formed over a plaster and paper base to give some contour to the land and topped with appropriate grassy scatter materials and varying areas of static grass which varies in length. The area was subjected to flooding when the rain drains from the roof of the mill the club have as a base, became blocked and flooded the second floor above us. What seemed like a total disaster before the ensuing mess had dried actually gave the fields a unique texture. Despair to delight in one easy flooding. Anyway, the cows seem to like it. We had a group show-and-tell to make trees for the layout which are an armature of stranded copper wire from multi cable. Soldered at crucial points to give strength and then textured with ‘Artex’ before painting, (mainly greys and greens), then applying commercially available foliage sparingly to get the right effect. I think everybody had a successful go
The station yard was textured with scatter materials to represent well-worn cinders and asphalt in varying quantities. The main station building, signal box and goods warehouse are all card kits with interior lighting. The cattle dock and footbridge are both scratch-built items, as is the four-arch viaduct and canal barge passing beneath. The canal is a wooden construction suitably clothed in plastic embossed stone on the banks. The water is many layers of clear gloss varnish over a dark and murky painted bed. The remains of the small river that created the valley originally have resulted in a small marshy area adjacent to the canal, much favoured by the incumbent six and one half ducks. The road and farm track accommodation bridges that hide the turntables at each end are again plywood and hardboard designs covered in embossed stone. One suspects the sharp bends encountered once over the bridges, accounts for the lack of motor vehicles and that the road crossing the rails via the scratch-built, fully-animated level crossing is by far the safer option. The level crossing was built by the late James Noble who was indeed the group’s ‘go to’ for all matters relating to running or building a layout. The platforms are hardboard structures paved with mounting card flags and emery paper to represent the cheaper option of asphalt.
The population are a mix of Omen, S&D and Aiden Campbell figures as indeed are the animals though the sheep and some cows are courtesy of Border Miniatures. The back boards are a representation of the Gloucestershire countryside in summer, painted in acrylics. Some viewers spot the high flying prototype Avro Vulcan leaving a thin vapour trail high above the hills. In general the painted scenery serves to provide a comforting feel that the layout is not on a flat earth, and even without noting detail, provides the eye with enough clues to satisfy the idea that there is some part of England beyond the layout edges.
Locos and Rolling Stock
Post grouping GWR engines are regular performers in the shape of Prairie Tanks and Saddle Tanks, as well as the occasional Bulldog and very rarely a Hall. Often we have a 58XX 0-4-2T running the auto car in and out of the bay platform. The LMS are well represented by a Patriot, Black Five, Fowler 4MT, Fowler 4F and a couple of Jinties. The Southern with an 0-6-0 G6 tank on suburban work. BR also feature with the occasional 9f! We have been known to run diesel traction too including a class 50, class 31, class 37 and even 08s all in BR blue. Ian and Dave of Norton Bridge have also run DCC 55s, 47s and multiple units. Favourite though has to be a little 0-4-0 tank loco, ‘Sophie’, built by a member’s daughter of the same name as a first attempt, often coupled to a huge ex-LMS 12 wheeled 72’ sleeper coach, just for the smile value.
Rolling stock, mostly kit built, sees plenty of GWR vintage bogie vehicles, ancient cattle wagons, box vans and long rakes of BR mineral wagons. The passengers are catered for in a mix of coaches ranging from early LNWR non-corridor push pull, to the BR maroon Mk 1s that form the majority of coaching stock.
Operation
The layout is operated by just two people, one on each end. The passing of trains in the station loop ensures that neither five-road turntable is ever full. Once five trains are collected at the end, the barriers go down and the table is revolved through 180 degrees to make the return journey loco first. It must be assumed that wherever the destination of trains may be, it is the responsibility of staff at that end to turn locos. The level crossing and points are controlled from the main panel at the station there being only a hand controller at the country end
The Future
It is planned to complete the signalling of the layout from work started by the late Barry Wohlman before he became ill. Plans are in hand for what is required and it seems that we shall be busy very soon.
Lydgate is travelling out this year to the O Gauge Guild event at Cleckheaton on the 31st of May and can also be seen at the HRM show on October 28th & 29th at Holmfirth.
Thanks go to:
The late James Noble, the late Barry Wohlman, the late Dave Beaumont, Phil Spencer, Eric Mellor, Mick Durkin, Ian Allcroft, Dave Oliver, Anton Clarke, Bernard Smith, John Rushforth, Roger Womersley, Peter Priestley, Phil Dyson, Graham Beckwith and members of Huddersfield Railway Modellers for their time and effort in building and maintaining Lydgate.
Graham Beckwith April 2014
Footnote:
It is just over 5 years since our great friend and prolific engine builder, James Noble, passed away. The O gauge boys decided to have a tribute to him. We would run as many of his locomotives and rolling stock as possible that we had acquired from June, his widow, on the Huddersfield Railway Modellers Lydgate layout. Kinlet Hall was having its first run out after completion. It was the last model James was working on.
Finally, we have moved! - An update from Huddersfield!
As many Yorkshire O Gauge Guild members will know, last year Huddersfield Railway Modellers, including its 7mm Group were actively looking to find a new clubroom. There was deep uncertainty over the future of their Milnsbridge clubrooms, their home for well over the previous decade. Possible re-redevelopment of the mill building had forced the decision to look for alternative premises.
By the end of 2019 suitable premises were located in a former textile mill in nearby Lockwood, much nearer to Huddersfield town centre. Negotiations with the prospective new landlord were underway so that by January 2020 terms were agreed and a lease signed. It was inevitable and accepted that for a short period, HRM would have two properties to fund whilst all the necessary preparations for moving homes were undertaken.
Work was started at Bath Mill by the landlord’s own workforce to open out the former offices space HRM was taking over. The heating system needed re-routing and updating and several water leaks in walls, around some windows and the ceiling needed attention. After these were cured HRM members could commence their jobs - painting walls, installing new lighting, building a new kitchen and toilets, and fitting out the new Library and Lounge areas. As work progressed at Bath Mill over a couple of months, back at Milnsbridge the club’s layouts were dismantled, crated and made ready for the big move. The contents of the extensive HRM Library were boxed. Hard decisions had to be made about what items to keep and what to throwaway from a decade of accumulated 'material and junk' members had gathered over many years. Gradually the project was coming together and it was hoped the move might actually take place before April 2020 ended. By mid-March a professional mover with two medium size vans and accompanying 'muscle' to help had been consulted. Then BANG ! The Covid lockdown happened!!! Nothing could continue at either site. All work stopped! We were in limbo until when? Nothing much occurred for over three months.
When the lockdown was eventually eased and access to Bath Mill was possible again, some members, who felt they could, picked up the move project again. Painting and other main preparation works at Bath Mill were eventually largely completed and the 'big move' was now finally planned for Friday 14th August. Two vans plus five hired-in ’big lads’, supported by club members were needed to transport six full van loads of layouts etc. across town. At the end of that day, after all the frustration, HRM had actually moved - only several months later than originally projected and alas, with large additional expenses incurred as a result.
Prior to the move, a scale floor plan of the new premises had been drawn up with scale layout footprints added to determine which of the various different scale layouts would fit and where. Upon arrival from the vans the different crated layouts were left stacked in these allocated spaces to be uncrated and assembled later. This process is still underway with still some way to go. Efforts have been made to make the new clubrooms as Covid compliant as possible but only limited numbers of member visits have so far taken place and of course we have to respond to the ever changing Covid situation, advice and rules that apply at the time.
Over the next few months, Covid allowing, members hope to progress and consolidate this layout activity further. They look forward to the day when the year 2020, and ‘Covid’ are perhaps but a distant memory, and HRM can again invite O Gauge railway modellers and other friends to come along and enjoy the new Bath Mill facilities here in Huddersfield.